“Essence of Blackness” Event Educates, Entertains and Builds Community

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Brian Andres & the Afro-Cuban Jazz Cartel perform at the second annual Essence of Blackness event (Photo: Lauren Hernandez, ’15 Journalism).

The pounding of conga drums married with the seductive blare of the trumpet filled the Student Union Ballroom as part of the second  annual Essence of Blackness event.

The African AmericanStudent Success Task Force hosted the event along with its Harambee Committee to explore just one influence of African culture on the world by focusing on jazz music and its rich, diverse history in the United States and beyond.

“Harambee, the arm of the task force that sponsors these kinds of events, brings together not only the African American students, faculty and staff but also reaches out to the larger campus to participate in cultural events,” said Michelle Randle, director of the CASA Student Success Center and chair of Harambee. “And [also it is important] for the African American students to see the support that they actually have on campus beyond themselves.”

The Essence of Blackness theme was born last year following conversations with African American students regarding the type of programming they felt was necessary to share with the campus community, with an educational component being at the forefront.

Photo: Lauren Hernandez, ’15 Journalism

Charlie Channel of the Charlie Channel Quartet strums on his bass during a traditional jazz performance at the second annual Essence of Blackness event (Photo: Lauren Hernandez, ’15 Journalism).

“I do think young people now are not exposed to jazz and do not always understand that its origins do come from Africa and this country,” Randle said.

Charlie Channel of the Charlie Channel Quartet, one of two types of jazz represented that night, lectured attendees on the history of jazz before delving into a traditional jazz performance.

Channel read Langston Hughes’ poem titled “Drums,” which represents the origin of jazz by chronicling the movement of slaves from Africa while describing the survival and re-emergence of the drums into new lands.

“When you think about slavery and tribes of people who were thrown together, who didn’t know each other, the oppression, the brutality, there was just one thing they had in common — it was the drum,” Channel said. “Ultimately, it resulted in this new form of music that had never been heard before on the planet called ‘jazz.’”

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A server from Sandi’s Cobbler Cups serves American soul food at the second annual Essence of Blackness event (Photo: Lauren Hernandez, ’15 Journalism).

The genre’s diversity was introduced to attendees by Brian Andres, the drum set and leader of the Brian Andres & the Afro-Cuban Jazz Cartel. He discussed how the music evolved in the United States with the help of Mario Bauza, a Cuban clarinetist who played a role in launching the Afro-Cuban jazz movement during the Harlem Renaissance.

While some attendees leapt to their feet and danced as Andres and his band’s upbeat conga drumming and lively trumpeting reverberated throughout the ballroom, others merely indulged in Walia Ethiopian, Caribbean and American soul-food cuisine.

As part of the Harambee Awards, a first in the program’s history, commemorative clocks were given to individuals in the campus community who have served and shown commitment toward the success of African American students.

Six members of administration, four students and two community members were awarded recognition and two students were given special recognition for their “Strength in the Face of Adversity.”

“It means something if it comes from the community out to people to say ‘hey we recognize what you do, and we want to publicly be able to acknowledge your contributions because I don’t think people do it for the recognition,” Randle said. “They do it because they love what they do, they want to see the students succeed, and they want to be a part of a community that supports everybody.”

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Commemorative clocks were given to individuals in the campus community who have served and shown commitment toward the success of African American students (Photo: Lauren Hernandez, ’15 Journalism).

Gary Daniels, Harambee awardee, said although he is thankful for the recognition, he is not a student activist to gain accolades.

“Young people should use their talents and energy to make the world a better place regardless of whether they get awarded or recognized,” Daniels said.

Jerusalem Bekele, ’17 Kinesiology and fellow Harambee awardee, said events like Essence of Blackness are essential to not only educating the campus community about various cultures and the origin of traditions, but also to building a sense of community.

“Our perspective is kind of limited to what’s in front of us, and not necessarily outside so events like this kind of reach outside of America,” Bekele said. “I think it introduces a lot of culture and tradition to the SJSU community as well.”

Donntay Moore-Thomas, ’17 Communications, said although it was nice to see familiar faces that comprise the three percent African American population at SJSU, she was thrilled to see people from other cultural backgrounds attend as well.

“If we can share a meal together, I feel that we can come together for a greater cause,” Moore-Thomas said.

Spartans Recognized for Volunteer Work on Downtown Mural

Randy Vazquez, senior journalism major; Danny McLane, junior industrial systems engineer major and Jahmal C. Williams, Spartan Connect Coordinator, Peer Connections, pose with their community service certificates presented by the City of San Jose. McLane and Williams are members of the AfricanAmerican/Black Task Force. Vazquez is a member of the Latino@ Student Success Task  Force. All contributed community service hours for the recently completed SJ Downtown Community Mural project.

Randy Vazquez, Danny McLane and Jahmal Williams pose with their community service certificates presented by the city of San Jose (photo by Associate Professor of Journalism and Mass Communications Michael Cheers).

Three Spartans have been recognized by the city for volunteering to help with San Jose’s latest street mural project.

“I’ve learned so much about the people who helped shape our culture and society. I’m in awe at artistry and what it represents,” said Danny McLane, ’16 Industrial and Systems Engineering.

McLane, Randy Vazquez, ’15 Photojournalism, and Spartan Connect Coordinator Jahmal Williams received certificates commemorating their contributions at a dedication ceremony held Dec. 2.

Barbershop mural

photo by Randy Vazquez, ’15 Photojournalism

Design

McLane, Vazquez and Williams are active in SJSU’s African American and Chicano/Latino student success task forces. The related “Fades and Fellowship” support group meets regularly on campus and at the Barbers, Inc. barbershop at East Santa Clara and South Eighth streets, where the mural is located.

The mural began as six separate studies or canvases now hanging inside the shop. Each shows one of the shop’s barbers styling a public figure, ranging from Muhammad Ali to Bruce Lee.

Vazquez recently completed a video, “Interview With An Icon: A Collection of Art and History.” The piece is part of an exhibit on the making of the mural, opening at the King Library Cultural Heritage Center in mid-January.

Inspiration

SJSU alumnus Dave Diggs, who owns the shop, said his support grew from his recent trips to Europe, where he saw street art everywhere.

He wanted to bring the same appreciation for the arts to his corner of downtown San Jose, and found in his very own shop Ian Young, a barber and artist perfect for the project.

The end result is a mural that boosts pride for all kinds of people and brings prominence to an all too often overlooked part of town.

Sponsors

A number of local sponsors contributed to the mural project. They include the San Jose Downtown Foundation, Maranatha Christian Center, Big Rentz, Sherwin-Williams and The Home Depot.